Sunday, 21 April 2019

A Superlative Pearl in the Nucleus of War Memorabilia. Ho Chi Minh City


A Superlative Pearl in the Nucleus of War Memorabilia
Ho Chi Minh City
 
Ho Chi Minh City has three superlatives to its credit .It is the most populous, the most visited and the largest city in Vietnam. It is also the financial capital of Vietnam. It was originally called Saigon and was the capital of French Indochina (1887-1902 and 1945-1954).It later became the capital of South Vietnam from 1955 to 1975.After South Vietnam's reunification with North Vietnam, Saigon was officially renamed Ho Chi Minh City after   its President, the tallest leader of Vietnam and the architect of uniting North and South Vietnam into one whole. Saigon is still used in daily speech.
History
The city’s history dates back to the fourth century AD when there was a Funan ( Indianized Southeast Asian states concentrating on the Mekong Delta between the first and fifth century AD) Temple in the area. In the 11th century a settlement called Baigaur was established there by the Chams. The Cham Empire was invaded by the Khmers who stayed there for centuries, keeping close ties with their brethren in Cambodia. During Khmer rule, Baigaur was renamed Prey Nokor (Forest City) or Preah Reach Nokor (Royal City).Vietnamese colonization started in the 17th century. Gradually the Vietnamese outnumbered the Khmers, and the Cambodian government could not intervene because it was weakened by war against Thailand. In 1698 the place came under the Nguyen Dynasty and was called Gia Dinh. It became Saigon in the 18th century. It was colonized by France in the mid-19th century. It was ceded to France in 1862 by the Treaty of Saigon.

Ho Chi Minh City is very popular among tourists because of its enticing historical and cultural sights. These are among the many notable spots in the city.
Saigon Central Post Office
The Central Post Office in Ho Chi Minh City is a 19th century architecture when Vietnam was part of French Indochina. It was constructed between 1886 and 1891 and designed by Alfred Foulhoux. It is the grandest post office in all of Southeast Asia. This two and a half storey, sunflower-hued miniature castle, with its huge bottle-green, shuttered rectangular and arched windows has Gothic, Renaissance and French influence. We entered through the doorway, and came into a massive hall with a Gothic style rib vault .The  Renaissance influence is seen in the huge, arched entrance, the semi-circular arches adorning the hall and the four columns supporting the domed roof. The French influence is demonstrated in its simple and symmetrical outer façade.  In spite of its eclectic design, culturally and historically it is Vietnamese as is evident from the large portrait of President Ho Chi Minh hanging at the far end of the hall, high up on a wall, large enough so that whoever visits the post office cannot miss it. The setting is very interesting. It is a functional post office in spite of being a tourist attraction. There is a stream of international tourists pouring in but the post office employees are doing their regular work in full concentration, undeterred by the chattering of the visitors. In the midst of official work and touristy inflow, there are shops selling souvenirs. On one side  is a series of huge wall clocks of different countries, showing their local time.
Saigon Central Post Office
Inside the Post Office

Notre-Dame Cathedral
Notre-Dame Cathedral Basilica of Saigon was constructed by the French colonialists between 1863 and 1880. All building materials were imported from France. Its twin bell towers reach a height of 190 feet. It is located in Paris Square. It is a Roman Catholic Church and is symbolic of the  few remains   of Catholicism in Buddhist Vietnam.
A Silhouette of the Cathedral 
Independence Palace
According to fengshui, the palace is located on a dragon’s head. So it is called the Dragon’s Head Palace.This 120,000 square meters Presidential Palace with four floors changed names with every regime. 
Independence Palace  (courtesy: dreamstime)

After the French conquered South Vietnam (Cochinchina) in 1867, a new palace was built in 1873.   It was called Norodom Palace after the then king of Cambodia, Norodom. From 1871 to 1887 it was used by the French Governor of Cochinchina. So it was called the Governor’s Palace. The palace was used as residence and office by all the Governors–General of French Indochina   from 1887 to 1945.
From 1963 to 1975 the palace housed South Vietnam’s leaders. During the second world war, Norodom Palace became the headquarters of Japanese colonial officials in Vietnam, after Japan defeated France in a coup in March 1945.When Japan surrendered to Allied Forces in September,1945, France reoccupied Norodom Palace. Following the Geneva Agreement in 1954, the French evacuated the palace and left Vietnam.  
North Vietnam was under the control of President Ho Chi Minh’s Viet Minh communists while South Vietnam was under the anti-communist state of Vietnam. In 1954, when Ngo Dinh Diem, a South Vietnamese politician declared himself the President of the newly proclaimed Republic of Vietnam, Norodom Palace became his home. Due to his unpopularity, his own air force made an unsuccessful attempt to kill him by bombing the palace in 1962. The whole left wing was destroyed and it was impossible to renovate the palace. So the President ordered it to be demolished and commissioned a new residence to be built on the same site. But this time he built an ample bomb shelter in the basement. In spite of such precautions, Diem was killed by his own men in 1963 and the renovation work was completed in 1966.This new structure was named Independence Palace.
The palace campus has wide, concrete roads bordering lawns, topiary, gardens and miniature forest-like greenery.    The spectacular top portions of the palace are airy and full of light. The ground floor has meeting rooms while reception rooms are upstairs for welcoming foreign and national dignitaries. The guest chamber can accommodate 800 guests. We got a glimpse of lavish and grand bedrooms, sitting rooms, ladies dinner rooms. There seemed to be a hierarchy among the bedrooms because one looked like a bedroom in a three-star hotel with a double bed, sofa and a dining table. Another was like a bedroom in a five star hotel where the furniture was the same but very plush and decorative.
Art Work in the Palace

Ministers' Cabinet Room

Conference Hall

A View of the Palace Lawns from Inside 

A  Mid-Range Bedroom

A Plush Room to welcome Foreign Dignitaries

An Ordinary Room with an Extraordinary Painting

Helicopter on the Rooftop Helipad
 There are entertainment areas with card-playing room, bar, cinema, night club etc. But the eye-popping space is the President's personal helipad complete with a helicopter. However the most engrossing area is the basement. We went there in a lift though stairs were  also available. The lift was very small (where hardly three could squeeze in) and slow moving. We came down, climbed down a few more steps and reached the basement. It is eerie with bunkers, narrow tunnels which served as corridors where you can only walk in single file. You can just see the person who is ahead of you. There are a series of small rooms with old-fashioned fans which served as bomb shelters,bedroom, a telecommunication center with wireless boxes and ancient radio transmitters etc. The war room is fully functional. It is from here the President monitored enemy attacks. It is fitted with office furniture without any trappings of luxury. The underground tunnel network was capable of withstanding bomb blasts. The warren of tunnels and the rooms are well lighted. The steps to the exit are located near the facilities which lead upstairs to the main lounge of the palace.
President's War Room in the Bunker
President's Bedroom in the Bunker

Telecommunication Room in the Bunker
A View of the Tunneled Corridor Inside the Bunker 
It was the home and workplace of the President of South Vietnam during Vietnam War. On 8th April 1975, a pilot of the South Vietnam Air Force and an undetected communist spy flew an F-5E aircraft to bomb the palace but was unsuccessful. Independence Palace played a significant role in ending the Vietnam War.  At 10:45 a.m. on 30th April, 1975, a tank of the North Vietnamese army bulldozed through its main gate. This signified the Fall of Saigon thus ending the Vietnam War. Tank 390 and Tank 843(according to Vietnam's official account) which forcibly entered the palace gate are both in Hanoi's military museum now.  
A Replica of the 390 Army Tank in the Palace Lawn  (Courtesy:dreamstime)

 In November 1975, after the negotiation convention between the communist North Vietnam and their colleagues in South Vietnam was completed, the Provisional Revolutionary Government renamed the palace Reunification Hall. The palace is depicted in the 200 Dong note of the Republic of Vietnam.   
War Remnants Museum
This museum is the most educative, interesting, thought provoking as well disturbing to the senses. It not only contains exhibits about the Vietnam War and exposes the war crimes committed by American army but also by the French colonialists against the Vietnamese. On the upper floor, a symbolic white statue of peace is located in the balcony overlooking the display hall. So the motto of this museum is clear: “the museum appeals to everybody to oppose unjust wars, preserve global peace, promote friendship and solidarity among nations." (Courtesy: booklet).
Statue of Peace
The museum is divided into 12 display centers under different headings; starting from (1) Historical Truth to (12) Imprisonment System During the Vietnam War.

Army Plane Riddled with Bullets
Wreckage of a War Plane


Unused Cartridges
Firearm used in the War
Agent Orange
But the most alarming exhibition is the havoc caused by a chemical weapon, defoliant Agent Orange used by US troops during the Vietnam War, against President Ho Chi Minh’s army of North Vietnam. It was sprayed from airplanes on the jungles and fields of Vietnam, Laos and Cambodia to defoliate the trees and bushes to flush out enemy soldiers and also to destroy agricultural crops, to cut off food supply to Vietnam army and local civilians. International scientists have discovered that Agent Orange contains one of the most virulent poisons known to man, a strain of dioxin called TCCD. Its effect is so devastating that 46 years after the war it remains in the soil, ground water, human bodies, continuing to destroy the lives of those exposed to it and taking its toll on each new generation. Not only did it kill thousands but its sinister effect has made the second generation severely disabled mentally and physically.
There was a souvenir shop in one corner of the museum where the shopkeepers had the bodies of a six year old but mature faces of a thirty year old man. They were the sons and daughters of war veterans and born to parents who lived on the contaminated area .They were moving about in wheel chairs and were selling their handmade items. The scene was very sad but their inspiring courage teaches us that in spite of unjust hate there is hope.
American Soldier in the Vietnam War
Firearm Ammunition
Three exhibition centers are dedicated to Agent Orange in the museum: Agent Orange During The Vietnam War; Agent Orange Effects; Agent Orange Consequences Through Children’s paintings.
Within the walled campus of War Remnants Museum there is a display of period military equipment used during the Vietnamese war. The military equipment includes ‘Huey Helicopter’, an F-5A fighter, M48 Patton Tank etc.
Skyscrapers of Ho Chi Minh City seen from the Yard of  War Remnants Museum
Military Equipment used during Vietnam War
Near the exit, on the ground floor,there are shops selling a variety of items:from books to bags and handicrafts.It is the one of the most popular museums in Vietnam among foreign tourists. It was founded on September 4, 1975.It is a member of the International Network of Museums for Peace (INMP)
Netaji Subhas Chandra Bose and Saigon
Subhas Chandra Bose launched his armed struggle against the British in an enormous mansion in Saigon’s posh white area, 76, Rue Paul Blanchy (now Hai Ba Trung Road).It was rented out free to him by its owner, a Tamilian from Puducherry, Leon Prouchandy .The house was converted into a secretariat of Bose’ movement, IIL (Indian Independence League) which had encompassed the INA (Indian National Army). Bose last visited the house on August 17th 1945, before disappearing the next day. Now that house is in rack and ruin. According to newspaper reports, the owner’s grandson wants the house to be preserved by the Indian Government as a symbol of Netaji’s launch of fight against the British.
                                                          Conclusion
Ho Chi Minh City is beautiful in the morning with its slim skyscrapers, its wide tree-lined boulevards, French architecture, its numerous, bustling restaurants, its Kapok trees locally called Bong gon from where probably Saigon got its name and its educative and enticing cultural centers. Ben Thanh Market, Vietnam’s largest and oldest market will consume most of your afternoon. The market is situated inside a large building and it is stacked with shops. You have to squeeze through narrow lanes and get lost in a maze of shops selling everything under the sun: from touristy handicrafts to wooden puzzles and chopsticks; from food, grocery to jewellery; from clothing to shoes; from luggage to tea sets; from electronics to fancy decorative items. But the prices are steep for tourists and there is a bit of bargaining to do. Some lessen the price and some don’t, pointing solemnly at the Fixed Price signboard hanging in their shops.
After feeling fatigued with the crowd and the shopping,you come out and walk through lanes lined with shops selling dried fish, Vietnamese food, until you come to the main road, jam-packed with vehicles. You negotiate your way through the crazy, evening traffic, walk past roads lined with shops offering arms and feet massage until you  reach a massage parlor. Then it is pure heaven. For one hour, in the dimly-lighted cubicle, with soft oriental music playing in the background, the masseuse gives you a massage with essential oils, speaking gently in whispers, hands with a definite,therapeutic, professional touch.
Then the night descends. We reach the rooftop dining area of the 16 storeyed Bay Hotel and watch the illuminated Saigon River shimmering with the lighted tall buildings on its shore. Everywhere there is beauty, history and style.
Bejewelled Saigon River at Night

The resilience and bravery of Vietnamese people is summed up by President Ho Chi Minh’s message at the entrance hall of War Remnant’s Museum: "Vietnam has the right to enjoy freedom and independence and has really become a free and independent country.The entire Vietnamese people are determined to mobilize all their physical and mental strength,to sacrifice their lives and property in order to safeguard their liberty and independence."
President Ho Chi Minh's  Message in War Remnants Museum
 
In spite of exploitation by French colonialists and twenty years of crippling Vietnam War in which innocent civilians were massacred or turned into cripples or vegetables, the never-say-die attitude of the Vietnamese made them recreate a gorgeous and historical Ho Chi Minh City from the ashes of devastation. It is indeed the ‘Pearl of the Far East,’ brimming with prosperity, rich culture and vibrant entertainment.

 Photographs : Bulbul Sur




Thursday, 4 April 2019

God is in Cleanliness and Security: Kumbh 2019

God is in Cleanliness and Security: Kumbh 2019

God is in Cleanliness and Security
Kumbh 2019
History
The mythological story of the origin of Kumbh is renowned. During Samudra Manthan or churning of the ocean by the Devas (Gods) and asuras (demons), a number of things such as ratnas (gems), halahal  (poison)  supernatural animals etc. were released from the ocean of milk.   Goddess Lakshmi (symbolic of wealth and fortune)  and  Dhanvantari, the heavenly physician also emerged from the ocean. Lakshmi accepted Lord Vishnu as Her eternal consort  and Dhanvantari came up  with the kumbh (pot) containing amrita or nectar of immortality. A war broke out between Gods and demons to capture this  kumbh (pot) of amrita. So Lord Vishnu  disguised himself as a beautiful maiden, Mohini, distracted the asuras, stole this Kumbh and passed it on to his steed Garuda. While Garuda (Devtas according to some sources) was escaping with it, a few drops of nectar dropped at four places which are the sites of the modern day Kumbh Mela. Kumbh is held every 12 years and Ardh Kumbh is held every six years at these four places by rotation. The festival sites  are located on the banks of a river:
Haridwar-Ganga;  Prayagraj-confluence of Ganga, Yamuna and the invisible, mystical Saraswati; Nashik- Godavari; Ujjain- Shipra.
Significance
 Kumbh means an earthen pot.The body is created from earth and merges into the earth.Therefore Kumbh signifies the human body and Kumbh Mela is the best place to empty our vices in our nashwar (mortal) body. It is said many Deities are active in the earth’s orbit during Kumbh Mela. When we perform spiritual practices we get their blessings.Bathing in one of these rivers during Kumbh Mela is said to  cleanse a person of all his sins.  Man, thus cleansed of his sins, attains nirvana or moksha. Scientifically, the planetary positions during this time affect the water and air in a positive way which makes the place divine.
Pilgrimage
It is well known that Kumbh (or Kumbha) Mela is recorded as the largest, peaceful, religious gathering on earth but this time Prayagraj Kumbh Mela held in Triveni Sangam, Allahabad, will go down in history as the cleanest place in spite of the footfall of 22 crores of people;the most safest place in spite of the motley, teeming mass from India and many parts of the world, resulting in 55 days of accident-free zone; and outstanding arrangements for pilgrims: from constructing tents with five-star amenities to installing 1.22 lakhs of  eco-friendly toilets. 
Kumbh Mela started from 15th January 2019 and ended on 4th March 2019. Since it takes place twice every twelve years, it is traditionally called ‘Ardh Kumbh’.But the present Uttar Pradesh government recently renamed it ‘Kumbh’.There were special, auspicious dates for Shahi Snan (Royal Bath) and we had chosen the last date, i.e. 4th March, Maha Shivratri day for our holy dip which incidentally was also the last day for Kumbh Mela.
We got down at Allahabad station and as we came outside it seemed all roads led to the bathing ghats,such was the mass of pilgrims. We got a taste of cleanliness from the station premises itself. The sky was overcast, some stray rain droplets trickled down and a few random papers brushed against the pavement; but only for a short while. A cleaning man came in a battery-operated vehicle. He pressed a button and a short, broom-like gadget shot out from an aperture and in a jiffy the dirt and papers vanished.
We hired an auto to go to our destination, that is the army cantonment, located inside the iconic Allahabad fort. The auto dropped us beneath a bridge and from then onwards till the fort, all vehicles were prohibited. We walked under the bridge and came to the main road.  The roads were chock-a-block with pilgrims,locals and an occasional police post. We waded with our luggage, manoeuvring through the immense, orderly crowd, passed two tent cities on our left and right, encountered pilgrims who had already taken the holy dip, and finally reached the cantonment at noon,  after walking for about two kilometres.
Once we entered the army cantonment, all my tiredness vanished because it was a large island of calm and security. We were put up in tents, which had all the facilities of a hotel, with clean beds, chairs, tables, drinking water and even a mosquito repellent. 
We had retired early at about 9:45 p.m. because the next morning which was Maha Shivratri,our day will start at 4 a.m. The climate was quite cold. All along the afternoon, evening, till late night we could hear loudspeaker announcements from the Sangam Ghat and I fell asleep immersed in the sound. Suddenly my sleep was disturbed by the trembling of the tent flap. .Soon I was wide awake when the sky roared like a wounded lion and then started the rain with its drops falling on the roof of our tent forcefully, sounding like thousands of plummeting stones ready to burst through the canvas. It was past midnight. The rain fell in torrents, increasing its intensity and we feared that our tent might be flooded. We kept our luggage on the chair in case water seeped in. There was nothing more we could do except resigning ourselves to a higher power.
The next morning we set out at four with our guide, Pradeep. It was very, very dark (in spite of the street lights) and very cold but we were filled with an unknown bliss,  as if we were in close proximity with divinity. The road was wet but not waterlogged.  People were already on their way to the Ghat.  We crossed the last arched gate which glissaded down to a concrete pathway bordered by battlements designed in Mughal architecture. This was called the Ganga Dwar and the illuminated holy Ganga came into view. From the ramparts of the fort we only saw human heads walking towards the Ganga. What a divine feeling!  This is the same Triveni Sangam where the holiest of holy have been taking bath since ancient times. The Triveni Sangam is considered to be the center of the earth in a few scriptures. 
As we walked towards the Sangam , the first striking feature we saw was the rows of temporary toilets on the side of the wide road. We were also surprised to see people sleeping beside the road, under the trees, bodies fully covered in blankets or shawls .At first glance they might be mistaken for beggars or street dwellers. But they were pilgrims like us who have arrived from another town or city and instead of checking into  a hotel have come straight to the Sangam Ghat .They will use the roadside toilets, take the holy dip ,use the changing rooms on the bank, have their breakfast at the roadside stalls and then go to the railway station or bus station for their journey back home.
The morning was dark as an eight o’clock evening but the street lights and the illumination at the Ghat  was better than a shopping mall in an upmarket metro.
As we reached the Ghat we could see a surge of people at 4:30 a.m. On the higher level of the bank there were rows of changing rooms for ladies. We selected a suitable place and proceeded to the water. The steps leading to the Ganga were sandbagged  to prevent them from being slippery. As soon as the steps were over, my feet touched a fathomless abyss and I thought I would be sucked into a hole. But a good stranger assured me to be fearless because the Ganga bed started from that point. Soon enough, as my feet felt the soft mud, I stood firmly on the bed and took the dip. The water was icy cold at first but soon the chilliness vanished when  spiritual serenity overwhelmed me as I took the sacred dip in the Triveni Sangam, consorts of Trimurti or Holy Trinity: –  Brahma’s consort, the unseen, transcendental, Saraswati River (believed to be flowing underground) ; Vishnu’s (Krishna) consort, Yamuna River; and Shiva’s consort, Ganga River . Just about four hands away from where I was bathing the waters had been barricaded with bright orange material so that enthusiastic swimmers do not go far into the water, mislead others and thence cause mishap. On the other side of the protective barricade, lots of boats had assembled, filled with people staying on the other bank, who  had come to take bath in  the holy confluence.
As soon as I had finished my dip, the good man came with milk (with a price) to be offered to Lord Shiva on Maha Shivratri day. I marveled at divine intervention, ‘as the demand so the supply’.
After changing into dry clothes I bought a puja thali comprising of flowers, diya and the usual things from a vendor sitting on the bank. The price was most reasonable—10 rupees only, as is customary  in normal places and in normal circumstances. After the puja was over, as if by magic  a tea seller came  and we had Ambrosian tea, at again the normal price. Then we strolled on the bank watching the pilgrims because the inflow was increasing as the hours progressed. But all were peaceful, whose main focus was to take the holy dip. If this is not divinity what is? It is rightly said that God resides in Man because all looked similar ,  like  Gods in their focused holiness. The extraordinary feature was silence. All the pilgrims were doing their work silently: bathing, praying, offering water to the Gods, doing arti, floating diyas on the Ganga. The vendors were silent too, no shouting of wares .The disciplined beggars gave silent, expectant looks .Only the wandering, saffron-clad mendicants begged in a sing-song, prayerful way which sounded very soothing in the dark morning with the fresh, scented air seeping in, heralding the approaching dawn. There were no pandas, touts or pestering beggars. The sandy, clean bank was moist but not soggy or squelchy. On the other side of the Ganga, far away, was  a line of bright LED lights as if there was a bustling, modern city. But it was actually the tent city erected by the government and private enterprise especially for Kumbh.
 Sangam Ghat at  4 a.m.

Barricade, Boats at Triveni Sangam and the Illuminated Bank on the Other Side at 4 a.m.

It had rained heavily the night before. The roads were wet but there were no potholes anywhere. The return journey was through another route which led us to the exit. The entry and exit routes to the Sangam Ghat were different so that in spite of the immense crowd there was no jostling or stampede-like situation. Some beggars and sadhus were sitting on the roadside but all in a line. The LED lights fell in every corner and universally there was cleanliness. Not a single plastic bottle, bag or tea cup was strewn randomly. Dustbins were positioned at regular intervals. It was 5:30 a.m. but still very dark. The exterior of the fort was dazzling in the bright LED lights. The crowd going towards the Ghat had increased manifold. Still there was a perception of expanse hence there was no crowding or frottage. When we came back to our tent ,fulfilled and serene it was just 6 a.m.
It was a very auspicious day not only because of Maha Shivratri but also because it fell on a Monday (day dedicated to Lord Shiva)after a long time. About one crore people took bath on that day .
Mankameshwar Temple
In the evening we went to a Shiva temple, called Mankameshwar Mandir. It is situated on the banks of Yamuna. It is said that worshippers attain their wish fulfillment here.  According to legend, during Lord Ram and Sita's Vanvas (exile),Devi Sita, after bathing in the Yamuna wished to pray to Lord Shiva. Since there was no Shiva temple nearby, Lord Ram built a temple for her, thus fulfilling her wishes. Hence the name Mankameshwar. The temple is small. The main idol in the temple is a black stone, ‘Shiv Lingam’. It is believed to be three and a half feet Shivling but the greater part is deep underground. It is said to have been installed by Lord Ram himself on his way to Chitrakoot.
The temple was situated at a lower level. We had to climb down a few steps from the main road to reach it. Since it was Maha Shivaratri the crowd was immense. There were adequate  police and special Action Force  managing the crowd . The queue was always in motion so that my turn came only after five minutes. There was a lady police officer near the idol, so that the worshippers do not take unnecessary time.
Saraswati Ghat
Next we walked down the same road in the opposite direction, passing a park by the Yamuna river called Minto Park, which is maintained by the army. A few feet farther was  Saraswati Ghat on the banks of the Yamuna river. From the topmost level we could see the peaceful water of the Yamuna gleaming in the setting sun. To reach the Ghat or bank we had to climb down quite a number of very, wide steps. From the Ghat we could get a very good view of a portion of Allahabad Fort located at the corner near Triveni Sangam, its walls being kissed by the greenish water of the Yamuna river. There were a few boatmen at the pier, with their anchored boats. On normal days, boatmen ferry passengers to the Sangam Ghat. But on that auspicious day, the last day of Kumbh, things were different. On being asked, whether they would take us to Triveni, one replied, “Even if you give us 10,000 rupees we’ll not ferry you to Sangam  now. Today we have been ferrying pilgrims since 4 a.m. and we are very tired.”

Saraswati Ghat

There was a metal platform like a quay, which projected slightly into the water providing a good photo op. On the western side was the newly constructed, cable-stayed Yamuna Bridge also called Shyama Prasad Mukherjee Bridge. It runs north-south across the Yamuna river connecting Prayagraj  city to its satellite neighborhood, Naini. The cables glimmered in the light of the setting sun. On the other bank of Saraswati Ghat was the tent city.
Sunset on the Yamuna River
Sangam Ghat
The next morning at about 9:30 we went to Sangam Ghat again, apprehending great filth and dirt now that the Kumbh was over but  we were in for a huge surprise. The pilgrims were going back home with their luggage on their heads; shopkeepers were disposing off their wares at a throwaway price: jackets and half-sleeved coats at 250 rupees per piece. Along the roads, vendors sold bags, toys, puja utensils, medicinal herbs, Rudraksh Mala but most were busy in packing up. Steel road plates were fixed on pathways in some places for further protection. We walked to the Sangam Ghat through a different route. The sun was quite hot. People were still taking holy dips. Crowd was everywhere. Now the boatmen begged us to take a ride, 150 rupees per head. In the morning sun we saw the actual site of the confluence--the greenish water of the Yamuna merging  with the clear Ganga water. But there was no scope for taking a perfect photograph because the crowd was still mind-boggling. 
Sandbagged Path Leading to the Ganga

Straw-Layered Bank and Cleaning Process in Progress after Completion of Kumbh Mela


Rows of Ladies' Changing Rooms

Empty Boats after Completion of Kumbh

Bathing still Going on after Conclusion of Kumbh

Vendors on the Bank

The moist sand on the bank was now layered with straw so there was no waterlogging, puddles, muddiness; hence no slipping and falling. Pandits sitting on charpais were offering to decorate the foreheads of pilgrims with sandal wood paste and tilaks. Pickpockets, touts, pandas which we thought were scarce in yesterday’s predawn would surface in the busyness of midmorning. But they were still invisible. The beggars were still sitting in a line, wandering sadhus still sang with begging bowls. The people were still peaceful. The only sound was the announcements on loudspeakers of Lost and Found. There was a giant TV screen closely monitoring the proceedings. Cleanliness was still a predominant feature. Everything was in order. The only disorder were flowers (used for puja) strewn in the Ganga but it was a sight to behold. The packing up had begun with  the sanitation staff dismantling the temporary changing rooms. Large, black plastic bags filled with garbage were ready to be disposed of.   
Allahabad Fort
In the morning we realized the beauty of the fort built by Mughal Emperor,  Akbar in 1583.It was the largest fort built by him. He named it Illahabas (blessed by God)which later became Allahabad. It is located on the banks of Yamuna near its confluence with the holy river Ganga. The location of the fort was chosen to guard the waterways. The fort has three gates—Yamuna Dwar in the south, Ganga Dwar in the east and the main gate on the landside.


Allahabad Fort's view from Saraswati Ghat extending in the Yamuna River
                                                                                           Photo: S. K. Sur
                                                                
Allahabad Fort's view from Sangam Ghat Extending in the Ganga at the Far End  
A Dazzling Exterior of Allahabad Fort at 4 a.m. on 4th March
According to legend, every time Akbar tried to construct the fort its foundation would sink in the sand. He was told that only a human sacrifice would prevent this disaster. A local Prayagwal Brahmin offered himself to be sacrificed and in return Akbar granted his descendants, the Prayagwals, exclusive rights of serving the pilgrims at the Sangam. In 1801, the British established a grand depot for military stores in Allahabad Fort and since then it is a military fort with the Ordnance Depot of the Indian Army situated here.
There are some sights within the fort premises which are of spiritual, mythological and historical importance.
1) Ancient Tree and Temple
Within the fort is a sacred fig tree called, Akshayvat ( the indestructible banyan tree).Akshayvat’s existence is linked to Vedic scriptures. It is mentioned in  Matsya Purana. According to legend, Lord Narayana in order to show his divine power to sage Markandeya flooded the entire world for a moment during which only Akshayvat survived and could be seen above the water level.   This tree is also mentioned in Ramayana. Lord Ram, Sita and Lakshman visited this place before and after their Vanvas.  It is said that they had rested beneath this tree.
Patalpuri Mandir
This underground temple is  believed to have been visited by Lord Ram. The Chinese traveler Hiuen Tsang also saw this temple in the 7th century. Akshayvat is within the temple.  
2) Saraswati Koop
Inside the fort there is a well (koop), known as Saraswati Koop. It is believed that the mythological, Saraswati river flows beneath this deep well. Saraswati is an ancient sacred river, on whose banks Vedic seers composed the initial parts of Rigveda and several Upanishads.
3 )Ashoka Pillar
Ashoka the Great of Maurya Dynasty (c. 268-232 BCE) is remembered for many extraordinary things and one of them is Ashoka Pillar. During his reign which covered the entire Indian subcontinent (except some parts of Tamilnadu, Karnataka and Kerala) the pillars of Ashoka were dispersed throughout his kingdom. He called them Dhamma Thamba (pillars of Dharma). Allahabad Fort also has the famous Ashoka pillar or Ashoka Stambha. It is located in front of the Ordnance Depot Quarter Guard. It is one of the few existing pillars that contain his edicts. The  Ashoka Pillar is a single vertical structure made of polished sandstone and is 35 feet high with a width of 35 inches. It  dates back to 3rd century BCE. This Pillar was first erected at Kaushambi, an important city in ancient India.
Ashokan Inscription
The Ashokan inscription on the Allahabad Pillar is one of the most important records of rediscovering the Mauryan Emperor Ashoka and the full extent of his empire. The inscription is engraved in Brahmi script, in continuous lines around the column.
The Pillar includes Schism Edict which is a command by Emperor Ashoka to his senior officials (Mahamatras of Kaushambi) to avoid conflict and to stay united. The Pillar also has Queen’s Edict which refers to the charitable deeds  of Emperor Ashoka’s second queen, Karuvaki.
Samudragupta’s Inscription
A later inscription (on the Allahabad Pillar) is attributed to the Gupta Emperor, Samudragupta of 4th century CE. It is written immediately below the edicts of Ashoka. It is written in excellent Sanskrit, praising Samudragupta, listing his political and military achievement, thus providing important information about the geopolitical landscape of the era.
Jahangir’s Inscription
 The Mughal Emperor Jahangir probably moved the Allahabad Pillar from Kaushambi to Allahabad. Jahangir’s inscription was inscribed in the 17th century and it records the names of his ancestors. It is overwritten on the much older Ashokan inscription. Hence, much of the 3rd and 4th edicts of Emperor Ashoka  have been destroyed by Jahangir’s inscriptions.
Allahabad Fort is occupied by the Indian Army and special permission is required to enter it. Photography is strictly prohibited inside its premises.  
Conclusion
The media had highlighted about elaborate security arrangements in Kumbh, 2019, with thousands of policemen, home guards, central force, anti-terrorists commandos, anti-sabotage commandos with snipers , bomb disposal units,  sniffer dog squads etc. on duty. It is not as if there was a huge posse of weapon-wielding security men everywhere. But they were protecting the pilgrims by remaining in the shadows, away from razzmatazz because we did not see any of those on both the days. I only saw a couple of policemen at the exit gate at 4:30 a.m. on Maha Shivratri day. No accident or any untoward incident was reported except for a brief fire in one pocket on the first day which was quickly brought under control with no casualties.
But the biggest takeaway is spick and span Kumbh Mela. To maintain this sort of cleanliness, the administration had pressed into service 15,000 sanitation workers, 40 compactors, 120 tippers and 20,000 dustbins. Such posts had been created by Uttar Pradesh’ Chief Minister, Yogi Adityanath’s administration: Ganga Praharis or Swachhagrahis and Swachhta Doots. The 2000 Swacchagrahis /Gangapraharis were foot soldiers who kept the Mela premises clean and the main job of Swachhta Doots (Messengers of Cleanliness) was to prevent littering in the Mela area. Installation of LED lights helped them to spot garbage from a distance. Those workers went beyond the call of duty  and their 8-hour shift and worked for 10-12 hours every day to ensure that “Bhavya Kumbh, Divya Kumbh (Grand Kumbh, Divine Kumbh) is fructified on ground zero to its fullest extent. They  were working ceaselessly like the security personnel, keeping themselves in shadowland away from the razzle -dazzle of TV cameras. No wonder Prime Minister Modi had called the safai Karmacharis (sanitation staff) as ‘Karmayogis’ and showed his gratitude by washing the feet of some of them.
All in all, the slogan of Kumbh Mela 2019 , “Swach Kumbh, Surakshit Kumbh’ was not an empty bombast like many political slogans, but showed that great vision, hard work and dedication can make every lofty ideal 100 % successful.



Clean Road Leading to Sangam Ghat on Mahashivratri at 4 a.m. on 4th March 

Cleanliness of Roads on 5th March after the Completion of Kumbh Mela
                                                                                        Photo: S.K .Sur
Absence of Litter on 5th March even after Curtains on Kumbh Mela
                                                                                      Photo: S.K. Sur

Steel Plates on Roads for Extra Protection


Photographs: Bulbul Sur




Saturday, 16 March 2019

Fractured Vishnu, Rescued Harihara and Art Thieves. National Museum, Phnom Penh, Cambodia


Image result for wikimedia photos of statues in national museum phnom penh
National Museum (Courtesy:wikipedia)

Fractured Vishnu, Rescued Harihara and Art Thieves
                                          National Museum, Phnom Penh, Cambodia

Stone Statue of  the Leper King at the Entrance
Photo: Christophe95, Wikimedia Commons
                                                                                   
The National Museum of Cambodia is located in Phnom Penh, next to the Cambodian Royal Palace. This magnificent brick-red monument was designed by George Groslier in traditional Khmer architecture and was inaugurated on 13th April 1920. The museum was closed from 1975-1979 during Khmer Rouge Regime when the ‘dogs of war’ played havoc with education, culture, cities, religion, industries and above all, the population of Cambodia. Many employees of the museum were killed and the abandoned museum became the home for a colony of bats with the rooms filled with bat droppings. The museum’s structure turned precarious with its rotten wood. The garden was a jungle .But the most horrific thing was, the valuable collection was stolen or damaged. After normalcy returned in Cambodia the museum was tidied up and renovated, the artifacts reorganized in record time and reopened on 13th April 1979. There are no ramps or elevators for differently-abled persons inside the museum. An idol of Lord Ganesh adorns one corner of the garden.


Lord Ganesh     (photo:Bulbul Sur) 
 
The museum is indeed spellbinding, displaying the world’s largest collection of ancient Khmer artifacts, huge sculptural assemblage of Buddhism and a massive amount of sculptures of Hindu Gods, Goddesses and religious symbols of Hinduism.  
Shivalinga made of Bronze, Quartz and Silver
Photo: AKS. 9955 ,Wikimedia Commons

It is Cambodia’s largest museum of cultural history and one of the biggest historical and archaeological museums in the country. The large, standalone sculptures are exhibited on stools or tables while the smaller ones are encased in glass. It is reported that thousands of artifacts are still lying in the basement of the museum waiting to be categorized and displayed. There was no booklet available, so it was difficult to remember the names of the sculptures. The lady guide was very soft spoken but there was no problem in hearing her because we got transmitter-charged radios. She was an encyclopedia of Hindu religion.

Trimurti 
Photo: AKS.9955, Wikimedia Commons

In Hinduism, the Trimurti or Triumvirate consists of three Gods, Brahma the creator, Vishnu the preserver and Shiva the destroyer. In the museum, an 11th century sandstone Trimurti of the Angkor period is displayed.  
Reclining Vishnu.
One of the most striking sculptures in the museum is a bronze statue of reclining Vishnu. Lord Vishnu is one of the supreme Hindu Gods in whose obeisance, Suryavarman II of the Angkor dynasty constructed the stupendous Angkor Wat temple.  
There is an interesting story behind the discovery of this statue. It was found in West Mebon, a temple located in the center of West Baray in Angkor, Cambodia. The temple is typical of Khmer architecture—temples surrounded by moats (deep, wide ditch filled with water) to signify the Hindu God of creation. In 1936, a local villager is said to have dreamed that an image of the Buddha was buried in West Mebon and it wished to be liberated from the site. During excavations, fragments of an 11th century bronze statue of Lord Vishnu were unearthed in a platform at the West Mebon temple.  The fragments included the God’s head, upper torso and two right arms. The statue in complete form would have measured six meters in length. The statue is in a reclining position, as if on the ocean. Vishnu is integral to the ocean, being the architect of the churning of the ocean (Samudra Manthan).That is why West Baray was created so large to give the semblance of a real ocean. It is an 11th century reservoir built in the reign of King Suryavarman 1 (1006-1050) and completed in King Udayadityavarman II’s reign (1050-1066). It is the largest reservoir of the Angkor era with a length of 7,800 meters. It is fed by fresh water from two main sources: Siem Reap and Puok River.  It is navigable by boat and even contains a raised-earth, ancient island built by Udayadityavarman II. It is located just west of Angkor Thom.

West Baray    (photo: Bulbul Sur)
Reclining Vishnu
Photo: Clay Gilliland, Wikimedia Commons

 Reclining Vishnu is the largest known bronze sculpture in Khmer art. It was brought to the National Museum in Phnom Penh on the 1st of December, 1950. Archaeologists have found an 11 – 12th century sprawling bronze workshop adjacent to the ancient royal palace in Angkor Thom under the reign of Jayavarman VII, the God king. This workshop yielded unfinished bronze sculptures, furnace, metal and crucibles. 
Harihara
Harihara is another important 7th century stone sculpture displayed in the museum. This life-sized statue is a combined depiction of Vishnu (Hari) and Shiva (Hara), representing the preserver and the destroyer of the universe. It was from the Phnom Da Temple in Takeo province of Southern Cambodia. The head was removed by the French during French colonial rule and shipped away to France between 1882 and 1883.It was displayed at France’ Guimet Museum.
Harihara 
Photo: Vladimir Renard, Wikimedia Commons

Fortunately, the head was returned by the French and a big welcoming ceremony was held in the National Museum on January 21st, 2016. In the presence of  the Cambodian Deputy Prime Minister Mr. Sok An, about 200 government officials, representatives of foreign governments, ambassadors and Guimet Museum’s officials, the 47 kilogram head was reattached to the body. Mr. Sok An termed the reunion as ‘symbolic of prosperity’ according to Khmer culture.
        
Lakshmi Lintel
If Lord Vishnu is the preserver and keeps the cosmos functioning harmoniously as a perfect whole, then His consort Goddess Lakshmi is His force, the Shakti which helps Him to accomplish His challenging task. In the National Museum, there is a red, sandstone Lintel celebrating Lakshmi. It belongs to the pre-Angkor period, in the first half of the 7th century. Lakshmi signifies prosperity, fertility and power.  
Garuda:  
In the museum, there is a statue of Garuda, the lord of the birds, part bird and part man and the battle steed of Lord Vishnu. It is made of sandstone, in Koh Ker style and is from the 10th century Angkor period.
Garuda
Photo: AKS.9955,Wikimedia Commons

Durga Mahishasuramardini
A sandstone sculpture of Durga Mahishasuramardini is also on display. It belongs to the early 7th or late 8th century, pre-Angkorian period. The Goddess is wearing a Vishnu crown showing her allegiance to Lord Vishnu.
Art Thieves
The problem of stolen artifacts is grave in Cambodia. The country has a rich cultural and historical heritage with 4,000 archaeological sites. But many of these sites were looted during French colonial rule, during Cambodian civil war and political instability. Numerous artifacts had been stolen and illegally trafficked out of the country. A 1993 Cambodian law prohibits the removal of cultural artifacts without government permission. Cambodian government has appealed to other countries to return Cambodian artifacts. Museums and auction houses in the USA have returned 6 looted ancient statues to Cambodia in the past few years while Thailand returned 16 smuggled, ancient artifacts to Cambodia.
In October 2015, a Norwegian businessman returned 11 artworks to the National Museum. These included a priceless Khmer sculpture of a Preah Ko temple styled, 9th century head of Shiva and a late 12th century Bayon-styled Male Divinity.
Two, huge, sandstone Brahma statues displayed in the museum were also looted from Koh Ker archaeological site in the 70s, during Cambodia’s civil war. They were set up for sale in a shop in Paris for $1 million. They were brought back to Cambodia after a long legal process. 
In April 2015, Cambodia collaborated with the US authorities to repatriate $ 3 million worth of Cambodian antiquities reportedly smuggled into the US by a New York art dealer.    
A 10th century Hanuman statue which was stolen from Prasat Chen Temple during the 70s’ civil war was part of a Cleveland Museum’s collection since 1982.It was returned to the National Museum in Phnom Penh amidst a ceremony in May 2015.
Besides displaying priceless collections, preserving them and providing them excellent security, the National Museum also repatriates stolen cultural property of Cambodia from other countries.
According to a report in Phnom Penh Post, Pich Keo, the Director of the National Museum had said, “As you can see, the National Museum is difficult to protect. The thieves like it so much that we need a strong security force on guard every single day, 24 hours a day.”
It is illegal to click photos inside the museum. But photography in the museum’s garden is not prohibited.
Address: Preah Ang Eng St. (13), Phnom Penh, Cambodia. Time: 8 a.m. to 5 p.m. on all seven days of the week.
        


Tags:  West Baray, West Mebon, Art Thieves. Phnom Penh.







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